Boo Ritson
'Dawnbreakers'
June 2010
A group show curated by Juan Bolivar for the John Hansard Gallery. Boo's 'At The Diner' and 'Apple and Cup' are included in the exhibition.
John Hansard Gallery
University of Southampton
Highfield
Southampton
SO17 1BJ
'Sea Fever: From Turner to Today'
14 May - 5 September
Southampton City Art Gallery presents their major summer exhibition 'Sea Fever: From Turner to Today' where Boo's work 'Blue Swimmer' is shown alongside work by many of Britainís best known artists including John Constable, Barbara Hepworth and Julian Opie.
Southampton City Art Gallery
Civic Centre
Commercial Road
Southampton
SO14 7LP
'Behind the Mask'
16th July - 12th September
In this exhibition the New Art Gallery Walsall brings together artists who engage with the history and iconography of portraiture. From Boo's 2009 series 'Back-Roads Journeys', 'Trucker', 'Diner Waitress' and 'At the Diner' will be exhibited.
'Thrice Upon a Time'
11th September - 12th December
An exhibition of works taken from the Magasin 3 Collection, Stockholm, selected from the 600 works currently in the collection it is the largest to date it contains over 150 works of sculpture, drawing, painting and film. Boo's three works that are part of the collection, Cindy, Cindy Rae and Private Eye (2007) will be exhibited.
Magasin 3 Stockholm Konsthall
(in the building Magasin 3, floor 1, elevator 4.)
Gadart, Oslo
21st October - 28th November
Boo's newest work will be exhibited in a solo show consisting of new sculptural works, unique photographic works and a televised performance piece.
Oklahoma City Arts Center
October 2011
Boo Ritson's first American retrospective museum show.
THE FRANKS-SUSS COLLECTION
AT PHILLIPS de PURY & COMPANY AT THE SAATCHI GALLERY
Curated by Tamar Arnon & Eli Zagury
Exhibition opens: 28 JANUARY 2010 LONDON
Phillips de Pury & Company at the Saatchi Gallery
Duke of York’s HQ King’s Road
London SW3 4SQ


Inspired by seeing the spectacle of dozens of tents given to the homeless and placed along the Canal Saint Martin in Paris, artist Cedric Christie decided to create a charity project that would echo this gesture. The tents in Paris had been donated by and set up by filmmaker Jean Luc Godard’s group, 'Children of Don Quixote' as a means of highlighting the plight of the homeless. They gained wide attention across Europe, and succeeded in placing the issue of homelessness at the top of France’s political agenda just prior to its presidential election.
Boo Ritson was among several artists commissioned to make a tent as part of an installation exhibited at this years Big Chill Festival. The tents are to be auctioned off later in the year to raise money for Amnesty and the Big Issue.
Back-Roads Journeys
13 October – 21 November 2009
Private View: Saturday 17th October 10.00 – 13.00
Part 2
THE GAS STATION - Poppy Sebire
36 North Audley Street, London, W1K 6ZJ.
Open from Tuesday to Sunday, 10am – 6pm. Or by appointment.
BACK TO THE FUTURE
Young Artists look at Old Masters
Curated by Mira Dimitrova and Mercier Kinney
8 October – 8 November 2009
Private View – Wednesday 7th October
ROBILANT+VOENA / STAIR SAINTY Galleries
1st Floor, 38 Dover Stree
London, W1S 4NL
Justin Coombes, Tom Gallant, Sigrid Holmwood, Barnaby Hosking, Graham Little, Marta Marce, Paul Morrison, Boo Ritson, Georgia Russell, William Stein, Alexis Marguerite Teplin, Richard Wathen, Mathew Weir and Douglas White alongside Francois Boucher, Pierre-Jacques Volaire, Anne- Louise Girodet-Trioson, Ary Scheffer, Cesare Dandini, Carlo Dolci and more.
Curated by Mira Dimitrova and Mercier Kinney, this exciting project will bring together the work of younger UK-based artists with that of major Old Masters, to investigate and expose the strong dialogue between the past and the present. There is a renewed concern amongst young contemporary artists to re-evaluate and explore concepts, methodologies and processes rooted in the work of Old Masters, precursors to their inherited tradition. Whether the engagement with their predecessors be via technical skill and craftsmanship, a shared symbolic language, or a common belief in the eternal sublimity in art, a current of historical reappraisal, which has been largely absent from the conceptual work in the contemporary art scene, is again emerging.








